Against this background, the trumpet poses a nontonal phrase - "The Perennial Question of Existence" - seven times, to which the woodwinds "answer" the first six times in an increasingly erratic way. Throughout the piece the strings sustain slow tonal triads that, according to Ives, represent "The Silence of the Druids - who Know, See and Hear Nothing". Ives provided a short text by which to interpret the work, giving it a narrative as in program music. The groups play in independent tempos, and typically require separate conductors. The strings play ppp throughout with no change in tempo." The Foreword states that the group "if possible, should be 'off stage', or away from the trumpet and flutes." It also states: "If more than four strings, a basso may play with the 'cellos (8va basso).
UNREPLIED TO FULL
The foreword to the score states "If a large string orchestra is playing, the full treble woodwind choir may be used at the discretion of the conductor." The score of The Unanswered Question printed by Southern Music Publishing in 1953 lists the following three instrumental groups: The three groups of instruments perform in independent tempos and are placed separately on the stage-the strings offstage. As with many of Ives' works, it was largely unknown until much later in his life, and was not performed until 1946.Īgainst a background of slow, quiet strings representing "The Silence of the Druids", a solo trumpet poses "The Perennial Question of Existence", to which a woodwind quartet of "Fighting Answerers" tries vainly to provide an answer, growing more frustrated and dissonant until they give up. Originally paired with Central Park in the Dark as Two Contemplations in 1908, The Unanswered Question was revised by Ives in 1930–1935. The Unanswered Question is a musical work by American composer Charles Ives. For the lectures given by Leonard Bernstein, see The Unanswered Question (lecture series). For Eliot Feld's 1998 dance, see The Unanswered Question (ballet). If you’re not sure where to start, read our guide to cold email subject lines and find a tip that will work for you.This article is about the Charles Ives composition. It's too easy to lose track of a message that's titled 'Hello'.Ĭoming up with an engaging subject line isn't hard.
Chances are that the reason your recipient isn’t replying is because of a bland subject line of the original message. Rethinking your approach to subject lines is a good idea as well. Just make sure to start a new email thread only once. However, if you already sent several follow-up emails and still got no reply, trying one last time to get your prospect to reply isn’t a bad idea. A separate follow-up email means that your prospect will have a harder time to understand what the message is about and which one they actually need to answer.
Some sales reps and marketers over-rely on the second approach, preferring to send each follow-up email as a separate message.Īlthough this method has its benefits (you have a better chance to capture the prospect’s attention) it can quickly become annoying.
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